The artist grew up in a liberal middle-class family and studied painting in Berlin (1884–85) and Munich (1888–89). Prints in Germany 1880-1940, Art Gallery of New South Wales, Sydney, 28 Oct 1989–07 Jan 1990. Artist: Käthe Kollwitz (German, Kaliningrad (Königsberg) 1867–1945 Moritzburg) Date: late 19th–mid-20th century Medium: Pen and black ink, brush and gray wash, over some black chalk, with a touch of white chalk Accession: 65.259 On view in: Not on view Collectively they epitomise the powerfully emotive imagery for which Kollwitz – widely acknowledged as one of the great graphic artists and printmakers of German expressionism – is known. Impressed by the prints of fellow artist Max Summary of Käthe Kollwitz. In 1919, Käthe Kollwitz began work on Krieg (War), her response to the tragedies endured during what she called those “unspeakably difficult years” of World War I and its aftermath. Born in the Prussian city of Königsberg (now Kaliningrad, Russia) in 1867, Käthe Kollwitz established herself in an art world dominated by men by developing an aesthetic vision centered on women and the working class. Born in the Prussian city of Königsberg (now Kaliningrad, Russia) in 1867, Käthe Kollwitz established herself in an art world dominated by men by developing an aesthetic vision centered on women and the working class. The Mothers (Mütter) While not included in the final series War, Kollwitz created The Mothers as she attempted to shift from woodcuts to lithographs for the series.

Using generalized figures of mothers, widows, young soldier volunteers and grieving parents, the prints focused on the pain and sorrow of those left behind.

She completed this lithograph on her deceased son Peter's birthday, and a self-portrait of Kollwitz as a mother, embracing her sons Hans and Peter as small children, dominates the foreground. Kathe Kollwitz, the creator of both pieces, used her own heart-breaking experience to express the grief and mourning of a mother who has lost her child. Käthe Kollwitz (German, 1867-1945): Mothers and Children Kollwitz: Introductory / Kollwitz Self-Portraits / Kollwitz 2: Weavers' revolt / Kollwitz 3: Mothers Kollwitz 4: Tragedies / Kollwitz 5: Women / Kollwitz 6: Women 2 / Kollwitz 7: Peasants' War / Kollwitz 8: Men German Expressionism: Survey I / Survey II / Survey III Following the catastrophe of World War I, German artist Käthe Kollwitz produced a portfolio of seven woodcuts entitled War in 1923 at the height of the pacifist movement in Germany. Fiercely committed to portraying the plights of workers and peasants, Käthe Kollwitz rendered the grief and harrowing experiences of both historical and contemporary wars in the first decades of the 20 th century. Käthe Kollwitz The mothers Shown in 3 exhibitions Exhibition history The edge of the world, Art Gallery of New South Wales, Sydney, 05 Jul 1985–25 Aug 1985. Käthe Kollwitz also addressed the fundamental experience of being a mother, which includes the fear of losing her children or leaving them behind after her own death. (1926), Lithograph on cream watermarked laid paper., 13 1/2 ×… German, 1867–1945. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger and war on the working class. The portfolio’s seven woodcuts focus on the sorrows of those left behind—mothers, widows, and children. Käthe Kollwitz | MoMA German, 1867–1945. The portfolio's seven woodcuts focus on the sorrows of those left behind—mothers, widows, and children. Throughout her life, Käthe Kollwitz was an attentive observer who was also interested in everyday scenes, some of which she described in her diary and recorded in drawings. The sketches served her as practice and as a store […] Available for sale from Galerie St. Etienne, Käthe Kollwitz, Mothers, Give of Your Abundance! Käthe Kollwitz, Diaries, 6 February 1919 PREPARATORY DRAWING, REJECTED VERSIONS Käthe Kollwitz, Mothers, rejected first version of sheet 6 in the series »War«, 1918, line etching, sandpaper and soft ground with imprint of laid paper and bundle of needles, Kn 137 II Many art pieces in Chloe’s blog, Time to Say Goodbye, are directly related to the theme women and children in war.In particular, the painting “Woman with Dead Child” has a very similar connotation to “The Mothers”. Käthe Kollwitz, née Schmidt (German pronunciation: [kɛːtə kɔlvɪt͡s]; 8 July 1867 – 22 April 1945), was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Käthe Kollwitz, German graphic artist and sculptor who was an eloquent advocate for victims of social injustice, war, and inhumanity. In 1919, Käthe Kollwitz began work on Krieg (War), her response to the tragedies endured during what she called those "unspeakably difficult years" of World War I and its aftermath.

From a Private CollectionSpecial exhibition 10th February – 3rd May 2020, extended until 5th July 2020. This is one of seven woodcuts from Käthe Kollwitz’s War portfolio of 1921–2 (Tate P82459 – P82465).

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