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Mohsen Makhmalbaf is a revolutionary filmmaker in every sense. With Shaghayeh Djodat, Hossein Moharami, Rogheih Moharami, Abbas Sayah. Love is color. Man is color.

Gabbeh (1996), a tale of love and storytelling amongst the nomads of the remote countryside, has a lush visual beauty new to Makhmalbaf's work.

And what defines the first entry in Mohsen Makhmalbaf's Poetic Trilogy which also happens to be my first encounter with the said filmmaker and the first piece of cinema I watched in 2019 is also color. Child is color.' Born in 1951, in Tehran, Iran; children: Samira. Gabbeh Mohsen Makhmalbaf, 1996 A young woman in a nomadic tribe is forbidden to accept her suitor.

In the mid-1970s, at age 17, Mohsen Makhmalbaf stabbed a policeman during a student protest. Gabbeh, Dabashi notes, can be read as "an ode to the flamboyant joy of color in a republic of juridical darkness". Gabbeh (Mohsen Makhmalbaf, 1996) ☼☼☼☼☼☼☼☼☼ out of 10☼ 'Life is color.

When an old couple washes their gabbeh - a type of Persian rug - a young woman magically appears and tells them her life story. Career: Director, screenwriter, editor, production designer, sound designer, art director, and actor. Since then, Makhmalbaf has gone on to make such highly admired films as Gabbeh and The Silence.

A gabbeh is a densely woven rug, and the film itself is a tapestry of myth, nature, and cultural tradition—with a strong sympathy for the unfair place of women in its world. Elsewhere he celebrates the referential playfulness of Makhmalbaf's technique, especially in such films as Gabbeh and Once Upon a Time, Cinema, while pointing out how such playfulness coexists with, and often underpins, their political message. A film in which Makhmalbaf interweaves reality and folk legend. Woman is color. Mohsen Makhmalbaf (1951-) biography on Film Reference. Directed by Mohsen Makhmalbaf.